By Tom Weaver
During this jam-packed jamboree of conversations, greater than 60 motion picture veterans describe their studies at the units of a few of the world's such a lot loved sci-fi and horror videos and tv sequence. together with groundbreaking oldies (Flash Gordon, a million B.C.); Fifties and Sixties milestones (The battle of the Worlds, Psycho, condo of Usher); vintage schlock (Queen of Outer area, assault of the Crab Monsters); and cult television favorites (Lost in area, Land of the Giants), the discussions provide a frank and engaging behind-the-scenes glance. one of the interviewees: Roger Corman, Pamela Duncan, Richard and Alex Gordon, Tony "Dr. Lao" Randall, Troy Donahue, Sid Melton, Fess Parker, Nan Peterson, Alan younger, John "Bud" Cardos, and dozens extra.
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Extra info for A Sci-Fi Swarm and Horror Horde: Interviews with 62 Filmmakers
So if he could do that, I guess he could teach me how to ride! On the farm, they had a Shetland pony for me. So Tim Tyler’s Luck was right up my alley. I drove to Universal every morning—I was 15 or 16 by then. At that time, my parents and I were living in California. For a while we had been going back and forth between New York and California—we would do a picture [in Hollywood] and then go back and do a play back in the East. Things were very good then. Then around ... let’s say ’36 ... we moved our permanent headquarters to the [West] Coast.
Joanne Fulton on John P. Fulton 31 Since 1974 I’ve belonged to an organization called NAME, which is the National Association of Miniature Enthusiasts, for all of us who are crazy enough to be building small things [laughs]. They had a convention coming up, and somebody who was involved knew that I had this background and asked me to do a program on miniatures in the movies. Well, I knew that I had two albums of things Dad had done—neat pictures of some of his work. ) With slide ﬁlm I photographed those pictures; and then I remembered that somewhere in our vast slide collection there were pictures that Dad had taken in Egypt while doing The Ten Commandments, and also slides of doing Tulsa.
Fulton 27 According to Dad, Mr. DeMille at this point was really having some serious heart problems. He’d already had a couple of heart attacks at home, and nobody was really sure if this man was going to survive the making of The Ten Commandments. In the movie there was a big wall, 50 feet tall and, I dunno, 100 feet long. Because Mr. DeMille wanted to look at the camera angles and so on, he insisted on climbing up a ladder to get up on the top to look out and see what was going on. Well, nobody thought it was a good idea for him to do that, and it was hot, but before they’d know it, he’d be halfway up the ladder.
A Sci-Fi Swarm and Horror Horde: Interviews with 62 Filmmakers by Tom Weaver